Gurlitt Estate: Berne Museum Reaches Agreement on Cézanne’s La Montagne Sainte-Victoire

la-montagne-sainte-victoireIn November 2013, the Gurlitt saga propelled the complex historical and legal issues around looted art into the spotlight. It created, perhaps for the first time, an awareness for the importance of provenance research within the wider public. However, with Cornelius Gurlitt entering into an agreement with the Federal Republic of Germany and the State of Bavaria in April 2014 and his death shortly thereafter, on 6 May 2014,  the matter has disappeared from the headlines. The opening of the exhibitions in Bonn and Berne in autumn last year brought the topic back at least to the art pages. Behind the scenes, the provenance research into the artwork in the good estate continues, but rarely gets publicity. Yesterday was an exception: Frankfurter Allgemeine reported that the Berne Museum of Fine Arts and the estate of Paul Cézanne had reached an agreement on Cézanne’s 1897 painting “La Montagne Sainte-Victoire”, arguably the commercially most valuable painting in the Gurlit collection. Continue reading

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